The complete number of Kyrgyzstan gambling halls is something in a little doubt. As details from this country, out in the very most interior section of Central Asia, tends to be difficult to get, this might not be all that surprising. Whether there are two or three approved gambling halls is the item at issue, perhaps not really the most all-important piece of information that we do not have.
What certainly is true, as it is of the lion’s share of the old Russian states, and absolutely truthful of those located in Asia, is that there will be many more not approved and backdoor gambling dens. The switch to acceptable gaming did not energize all the aforestated places to come out of the dark and become legitimate. So, the debate regarding the total number of Kyrgyzstan’s gambling dens is a tiny one at best: how many legal casinos is the thing we’re attempting to resolve here.
We know that in Bishkek, the capital metropolis, there is the Casino Las Vegas (a marvelously original name, don’t you think?), which has both gaming tables and video slots. We will also see both the Casino Bishkek and the Xanadu Casino. The pair of these contain 26 slots and 11 table games, divided between roulette, twenty-one, and poker. Given the remarkable likeness in the square footage and floor plan of these 2 Kyrgyzstan gambling dens, it may be even more astonishing to determine that both share an address. This seems most difficult to believe, so we can likely state that the number of Kyrgyzstan’s gambling dens, at least the approved ones, ends at two casinos, one of them having adjusted their name just a while ago.
The country, in common with almost all of the ex-USSR, has experienced something of a accelerated conversion to capitalistic system. The Wild East, you might say, to reference the lawless ways of the Wild West a century and a half back.
Kyrgyzstan’s casinos are honestly worth checking out, therefore, as a bit of anthropological research, to see cash being gambled as a type of social one-upmanship, the celebrated consumption that Thorstein Veblen wrote about in nineteeth century u.s..